Direct coupled SET proposal

I’ve had a few 6CB5As kicking around for a while waiting for a project. The 6CB5A has been documented by Thomas Mayer and Ale Moglia, among others, as a great option for triode strapping. Thing is, I like trying new things when I build and repeating a cap coupled formula for a two stage single-ended amp just wasn’t making it to my short list of projects (which I don’t quite have time for anyways).

A recent discussion reminded me of an idea to use the shunt cascode topology to direct couple to a single-ended output. It required some extra power supply rails, including a fairly large negative rail. These requirements aren’t anything too unusual; you see them with Morgan Jone’s Crystal Palace amplifier or any kind of fixed bias scheme (in a way).

Anyways, the more recent discussion reminded me of a thread discussing a novel way of direct coupling two stages by stacking the power supplies. This is kind of similar to the Free Lunch AKA Monkey on a Stick arrangement. Applying this idea to my original shunt cascode brainstorm lead me to this:

We have a shunt cascode input stage. The output resistor (R2) idles at about 75V across it. This feeds a MOSFET source follower, which will have just a couple volts less on its output. So we have a very low impedance output at around 75V above ground and we want to direct couple that to the next stage. This is where I think it gets exciting.

We raise the cathode of the output stage so that it is positive relative to the grid (at 75V) by floating the output tube power supply (V2). The voltage we float it at is roughly equal to the target bias voltage plus half the target output swing. In other words, we raise it by twice the bias voltage for A1 or twice plus a bit for A2.

The output tube anode is connected normally and the cathode returns to the point where the output supply (V2) floats on the bias supply (V1). Our input stage is powered by another supply floating on the bias supply (V3). Our input and grid driving circuits are all referenced to ground and direct coupled. We can set the output bias by adjusting the current through R2.

Here’s a more fleshed out version:

It looks like a lot in the schematic, but I’ve already got shunt cascode and grid driver circuits on small PCBs. The power supplies don’t need to be anything exotic in this case as the input has decent PSRR already. The higher current output could use simple CLC filters as well.

Will I build it? I hope eventually. By summer I hope to have the workshop basically finished. I’m already enjoying having all the tools and parts in one (heated) space!

Ode to the ST-70

dynaco st70.png

The ST70 is a beautiful and historic amplifier (and surprisingly compact if you see one in person). It’s also the best selling power amp of all time (at least so says Wikipedia). All things Dynaco inspire much talk here around the water cooler at the WTF Amps institute of higher learning about vacuum tube stuff. Here are some loosely organized tidbits and thoughts on amplification!

Generalized Topological Design Trends in Discrete Amplification

Forget for a moment that some amps are made with tubes while others are made with transistors. Deep down in their vacuum or silicon hearts they are really both just simple three-pin devices used to accomplish the same thing (gain). Forget all the audio-speak we abuse in our efforts to approximate the many facets of circuit performance. Forget the preconceptions we file away in our minds under “T” for tube or “S” for solid state. We aren’t thinking about tubes or transistors, right? Good.

To SE or PP (tee-hee)

Beyond all other aspects, the amplifier topology choice that impacts a design the most -in performance, efficiency, and cost- is whether the amplifier will be single-ended or differential. The difference can be boiled down to whether the amplification devices handle the entire signal through to the output (single-ended) or “split” the signal phases and re-combine them at the output (differential). Differential amplifiers are sometimes also referred to as push-pull. There is no such thing as balanced amplification, but that’s another discussion.

Single-ended amplifiers tend to be more inefficient in both a power consumption and economic sense. Because they are Class A by necessity, they dissipate more heat per watt of amplification. Single-ended amplifiers need a squeaky clean power supply to achieve a respectable noise floor because they do not benefit from the same kind of ripple rejection as differential amplifiers. They tend to produce more distortion, but the distortion that they produce usually has an even-order-dominated harmonic spectrum. Studies say even-order distortion harmonics are less offensive to most listeners.

In contrast, differential amplifiers produce less distortion when designed well, but what they do produce is dominated by odd-order harmonics, which are less pleasing to most listeners. Differential amplifiers are capable of far more efficiency than single-ended amplifiers because both output phases do not need to be “on” all the time. By nature, differential amplifiers reject power supply noise because they only amplify the difference between the phases and any power noise appears equally in both.

/r/outoftheloop

The distinction between single-ended and differential is the most fundamental taxonomy that can be applied to amps. The next most important design choice with regards to the circuit and its behavior is whether the amplifier will be open-loop or closed-loop. A closed-loop amplifier injects a portion of the output back into the circuit in order to correct non-linearities created by the act of amplifying with non-imaginary devices. This requires extra gain from the amplifier to be spent on suppressing these distortions. An open-loop amplifier is able to get by with less overall gain and enjoys more polite clipping behavior at the expense of generally higher THD. We are very deliberately avoiding the term ‘negative feedback’ here, by the way.

If you’re following along, you see that less-efficient single-ended amplifiers with less-objectionable distortion spectrum might naturally gravitate towards open loop circuits. Furthermore, you can imagine that more efficient differential amplifiers, with power to spare but a less pleasing distortion spectrum, are logical candidates for closed loop circuits. Your powers of comprehension do not fail to impress, dear reader. In practice a blend of single-ended and differential, open loop and closed loop, choices are made at the stage/component level in order to balance the relevant strengths and weaknesses, but the broader structure of amplifiers is usually one or the other.

WTF were we talking about again?

I’m going to tell you a secret now. Please do not react too loudly or cause a commotion. Come closer… Single-ended, differential, open loop, and closed loop has nothing to do with whether an amp uses tubes or transistors. Yes, that’s quite something isn’t it? While it’s true that historically certain devices and topologies are strongly associated one to another, this is a question of device availability coinciding with design trends and market demands, not choices dictated purely by the devices used.

This brings us back to the topic of the Dynaco ST-70. This is a closed loop differential amplifier running in Class AB, much like the earlier Williamson or Leak tube amplifier designs. The overall topology is not much different from current Class AB transistor amplification because these solid state amps are simply a continuation of the same design trend (AB differential, closed loop). While today we associate tubes with single-ended open loop design and transistors with differential closed loop design – and all the baggage these topologies drag about – the reality is that performance has more to do with circuit choices than with the devices used.

The ST-70 was in some ways a pioneer. Though it was not the first of its kind, it was the standard bearer of the contemporary design values. Today we prize much of the ST70’s topological progeny in solid state Class AB (whether integrated on a chip or built with discrete components) but we also revere designers such as Nelson Pass who is charting his own course through both open loop single-ended transistor and Class A low feedback differential amplification. Amplifier design is not so much a timeline as it is a spectrum; the limits to what constitutes good amplification (subjective as that may be) are found not in the parts choices, but in the creativity of the designer.

TL;DR: Design, not device, makes the amp.

Here’s Dan Fraser’s write-up on the launch of the modern ST-70 series 3 (Dynaco was purchased by Radial Engineering in 2014)

Coming soon to a workbench near you…

In a world where near-field and headphone listening has become an unstoppable force. Where every DIY builder is bored to death of rational and safe two-stage, single-ended triode designs. Where power supplies have become an afterthought and parts values are just plugged and chugged. Prepare your butt for a new madness. Prepare it for La Luciérnaga…

the-big-sheet

Note db scale for the predicted frequency response graph: +/- 1 dB from 40-20khz. If that’s not good enough, I’ll show you how to make it even better. There’s mucho tube math coming your way, amigo.

Here’s the worksheet I used to create the above:

two-stage-set